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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond in Leeds during 1977

Dave Ball, one half of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the team scored a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He subsequently founded the innovative electronic act The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died peacefully in his sleep at his residence in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, after a spate of ill-health.

"I ended up damage myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my back and cracked about five ribs and fractured my wrist."

Following catching pneumonia and developing sepsis, he was placed in an medically-induced sleep and stayed in hospital for half a year.

Nevertheless, he had been in "a great place mentally" during the warmer months, as he was developing a fresh record with Almond, titled Danceteria, which is set for publication next year.

"He was concentrated and very pleased with the latest project that we actually finished only a few days ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I find comfort from the fact that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my life and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".

"Being in a partnership with someone is different from joining a group, the bond is very tight," he continued.
"That's how it was with us. We went through so many extraordinary, extraordinary, life-affirming moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Formative Years

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was given up for adoption when he was 18 months old.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who changed his given name from his birth name to David, together with his sibling Susan, who was also adopted.

He met Almond at an art college in 1977, where they were both learning fine arts. Fuelled by a mutual passion of a music genre, they formed Soft Cell the very year, and quickly produced an EP.

Musical Partnership

The pair were an unusual combination: Ball was the reserved technician, hunched over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they attained a rare creative synergy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk appear on BBC science show Tomorrow's World, and began to combine moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the UK's second most popular single of 1981, selling millions of units globally. Together with hits by other artists, Human League and Ultravox, it contributed to cleared the path for the electronic music style of the 80s.

The song was also included on their first album, their initial LP, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The duo were working on fresh songs right up until Ball's death

Professional Journey

Fame had its upsides. "I loved being able to purchase my first home, having money and travelling, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also caused problems. "Sudden riches allowed we could purchase substances to alleviate the monotony" of media interviews and television shows, Ball said.

"I know that's a common saying, but it's a cliché for a good reason, because it applies for so many musicians."

During the hedonistic lifestyle, the pair were also growing distant, but they managed to produce a second classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released another LP, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the charting album Cruelty Without Beauty.

After a further hiatus, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on September 30, that year.

However, they remained active, creating their fifth album, Happiness Not Included, during the 2020 Covid lockdown.

Ball lately characterized the band's new album as a homage to the NYC nightlife they frequented while making their first two albums.

He added that his time in hospital had influenced the group's music.

"I experienced strange recollections when I was in and out of hospital because I was on morphine," he told a publication.
"The new songs are a electronic representation of the sounds in my mind from that time.
"Simultaneously, it's about the experiences we had in the 1980s."

The last versions were completed only a short time before Ball died. It is due for release in Spring 2026.

By

Joseph Cain

A seasoned adventure journalist and mountaineer who documents extreme expeditions across remote wilderness areas.

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